![]() ![]() ![]() does the image in the playback monitor match precisely, and. Which Patrick says is why he always wants an exported flat-file of the project from PrPro, so he can lay that on the track above the main project file in Resolve, so that while going through the timeline, they are laid over the top of each other. It's not unusual for them to go through a project, and find that Resolve has selected a number of "wrong" clips, and they have to then search the media pool to find and re-link the correct ones. Offline/missing/wrong media btw is one of the bigger bugaboos that PrPro & Resolve can combine to create. From what I've done, and from talking with others, this can take some practice. Click 'Settings' button if youd like to customize advanced audio and video parameters like Video Codec, aspect ratio, bit rate, frame rate, Audio codec, sample rate, audio channels. Within your "own house" one hopes for an easier process. It often includes at least one phone call with the editor to check on things. From a lot of their clients, a project coming into their shop can mean from an hour to a full day that they or an assistant is working the conform process, catching all the issues of frame-rate or size mis-matches/glitches, offline/missing media, all the lovely little bits that you have to clean up before the grading can start. Patrick Inhofer just went through about a 5-part tutorial of 10-15 minutes per video tut on how to conform a PrPro project XML into Resolve. I've a number of colorist friends/acquaintances, and a membership in the colorist info website. ![]()
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